An audio interface with MIDI input can connect microphones, instruments, studio monitors, and external keyboards or controllers in one recording setup. The right model depends on how many inputs you need, your preferred workflow, and whether MIDI is built in or handled through a separate adapter.
We compared compact two-channel interfaces, expandable multichannel units, and MIDI-equipped options for home studios, producers, performers, and content creators. Use the guide below to narrow the choices by connectivity, sound quality, software support, and value.
Best 10 Audio Interface with Midi Input Picks for 2026
Best for Expanding a Studio
- 18x20 USB audio/MIDI connectivity
- Eight mic preamps with phantom power
- ADAT I/O for system expansion
Best For: Larger home studios and multi-mic recording
Best Flexible Studio Hub
Focusrite Scarlett 4i4 4th Gen
- MIDI I/O with four line inputs and outputs
- Two mic preamps and two Hi-Z inputs
- Auto Gain, Clip Safe, and Air modes
Best For: Producers using MIDI and multiple external instruments
Best MIDI-Only Connection
- One 5-pin MIDI input and output
- Plug-and-play USB-C operation
- Works with computers and mobile devices
Best For: Connecting legacy MIDI hardware to modern devices
Best Compact Starter Interface
Focusrite Scarlett 2i2 4th Gen
- Two mic preamps and two Hi-Z inputs
- 24-bit/192 kHz recording support
- Auto Gain and Clip Safe features
Best For: Solo musicians and compact home studios
Best Value 4x4
- 4x4 audio I/O plus dedicated MIDI I/O
- Four MIDAS mic preamps with phantom power
- 24-bit/192 kHz recording in a metal chassis
Best For: Home studios needing multiple inputs and MIDI integration
Best for Vintage-Style Tone
- 2x2 USB-C interface with MIDI connectivity
- Vintage mode emulates UA 610-style preamps
- 24-bit/192 kHz support for computer or mobile recording
Best For: Solo musicians, podcasters, and streamers
Best for DSP Monitoring
- 2x2 interface with MIDI I/O and combo inputs
- 32-bit/192 kHz support with D-PRE preamps
- Latency-free DSP effects for monitoring
Best For: Musicians needing compact recording and onboard effects
Best Mobile Recording Pick
- Two Onyx preamps with 48V phantom power
- MIDI I/O and Hi-Z-compatible combo inputs
- Bus-powered USB with direct monitoring
Best For: Mobile recording and compact home studios
Best Flexible Studio Routing
- Midas-designed preamps and 192 kHz conversion
- MIDI I/O with four outputs and analog inserts
- Two combo inputs for mic, instrument, or line sources
Best For: Home studios using external effects and MIDI hardware
Best Guitar-Centered MIDI Option
Valeton GP-200 Multi-Effects Pedal
- MIDI IN, FX loop, and USB-C audio interface
- 240-plus effects with amp and cabinet simulations
- OTG mobile streaming, looper, and drum rhythms
Best For: Guitarists combining MIDI control with modeling and USB recording
Best for Expanding a Studio – Behringer UMC1820
The Behringer UMC1820 is a strong choice when you need an audio interface with MIDI input plus substantial recording capacity. Its 18-input/20-output USB connectivity, eight MIDAS-designed mic preamps, ADAT I/O, and support for up to 24-bit/96 kHz recording suit larger microphone and instrument setups.
Best For: Home studios, bands, and producers recording multiple microphones or instruments at once.
Pros:
- 18×20 USB audio/MIDI interface with ADAT I/O
- Eight mic preamps with +48V phantom power
- Supports up to 24-bit/96 kHz audio
- Compatible with popular recording software on Mac and Windows
Cons:
- Larger and heavier than compact desktop interfaces
- Its extensive I/O may be more than a simple two-input setup requires
Choose the UMC1820 if expansion and simultaneous recording matter more than portability. It provides the broadest I/O of these options, making it a practical foundation for a growing studio.
Best Flexible Studio Hub – Focusrite Scarlett 4i4 4th Gen
The Focusrite Scarlett 4i4 4th Gen is a versatile audio interface with MIDI input for producers connecting microphones, guitars, synths, and drum machines. It combines MIDI I/O with two mic preamps, two Hi-Z inputs, four line inputs, four outputs, and USB-C connectivity.
Best For: Producers and home-studio users who need flexible connections for instruments, line-level gear, and MIDI hardware.
Pros:
- Includes MIDI input and output alongside four line inputs and outputs
- Two mic preamps and two Hi-Z instrument inputs
- Up to 24-bit/192 kHz operation with a stated 120dB dynamic range
- Auto Gain, Clip Safe, and Air mode features
Cons:
- Offers fewer total inputs and outputs than the UMC1820
- Its broader feature set may be unnecessary for basic vocal-and-guitar recording
The 4i4 is a balanced middle ground: more flexible than a basic two-input interface while remaining compact at 2.2 pounds. It is especially useful for setups that combine MIDI instruments with several line-level devices.
Best MIDI-Only Connection – FORE T1 USB-C MIDI Interface
The FORE T1 is a dedicated solution for anyone seeking an audio interface with MIDI input without adding a full recording interface. It provides one 5-pin MIDI input and one MIDI output, connects through USB Type-C, and is designed to transfer MIDI data between keyboards, synthesizers, drum machines, and computers or mobile devices.
Best For: Musicians who need straightforward MIDI connectivity between legacy 5-pin DIN hardware and a computer or compatible mobile device.
Pros:
- One MIDI input and one MIDI output with 16 MIDI channels
- Plug-and-play operation with an LED status indicator
- USB bus-powered and compatible with Mac, Windows, iOS, and Android systems
- Supports common software including GarageBand, FL Studio, and Cubase
Cons:
- It is a MIDI interface, not a conventional audio recording interface
- USB A-C adapter is not included
The T1 makes sense when your priority is MIDI data transfer rather than microphone or instrument audio capture. Its compact, bus-powered design keeps the setup simple, but users needing audio inputs should choose a full audio interface instead.
Best Compact Starter Interface – Focusrite Scarlett 2i2 4th Gen
The Focusrite Scarlett 2i2 4th Gen is a compact audio interface with MIDI-friendly studio versatility for musicians recording one or two sources at a time. It offers two mic preamps, two Hi-Z instrument inputs, USB connectivity, and up to 24-bit/192 kHz operation in a lightweight desktop format.
Best For: Solo artists, vocalists, guitarists, and small home studios that need a simple two-input recording setup.
Pros:
- Two mic preamps and two Hi-Z instrument inputs
- Supports up to 24-bit/192 kHz recording
- Auto Gain and Clip Safe help manage recording levels
- Includes recording software and music-production plugins
Cons:
- Only two audio inputs for simultaneous recording
- Fewer routing options than the Scarlett 4i4 or UMC1820
The 2i2 is the most straightforward option for essential recording tasks. Its small footprint and included software make it an approachable starting point, while the two preamps cover common vocal, guitar, and instrument-recording needs.
Best Value 4×4 – Behringer UMC404HD
If you need an audio interface with midi input and enough connectivity for a small recording setup, the Behringer UMC404HD is a practical choice. It combines four inputs, four outputs, dedicated MIDI I/O, 24-bit/192 kHz recording, and four MIDAS-designed mic preamps in a durable metal chassis.
Best For: Home studios recording multiple microphones or instruments while integrating MIDI hardware.
Pros:
- 4×4 audio connectivity with 1x MIDI input and output.
- Four mic preamps with +48V phantom power.
- Supports up to 24-bit/192 kHz resolution and popular recording software.
- Impact-resistant metal chassis is built for durability.
Cons:
- Its larger four-input design may be more than needed for a simple two-channel setup.
- Uses USB connectivity rather than USB-C.
The UMC404HD stands out when expandability matters. Its four analog inputs and MIDI I/O make it better suited to growing recording rigs than compact two-input interfaces, while the high-resolution support and phantom power cover common studio requirements.
Best for Vintage-Style Tone – Universal Audio Volt 2
For musicians, podcasters, and streamers seeking an audio interface with midi input, the Universal Audio Volt 2 pairs two-channel recording with MIDI connectivity and a selectable Vintage mode. Its compact 2×2 USB-C design supports up to 24-bit/192 kHz recording across computers and compatible mobile devices.
Best For: Solo creators who want two inputs, MIDI support, and a vintage-inspired preamp sound.
Pros:
- 2×2 USB-C interface includes MIDI connectivity.
- Vintage mode emulates the character of UA 610-style preamps.
- Supports up to 24-bit/192 kHz audio quality.
- Compatible with Mac, Windows, iPad, and iPhone setups.
Cons:
- Two channels provide less expansion than four-input interfaces.
- Mobile recording may require an external power supply and Apple adapter.
The Volt 2 is a focused option for smaller setups. Its two inputs keep the unit compact, while Vintage mode, MIDI, and the included software ecosystem give solo performers and content creators useful creative flexibility.
Best for DSP Monitoring – Yamaha URX22C
The Yamaha URX22C is an audio interface with midi input designed for two-channel recording and low-latency monitoring. It offers two combo inputs, Class-A D-PRE preamps, 32-bit/192 kHz support, USB connectivity, and DSP-powered effects including reverb, channel processing, and guitar amp modeling.
Best For: Musicians who want compact MIDI-enabled recording with built-in monitoring effects.
Pros:
- 2×2 analog I/O with dedicated MIDI I/O.
- Class-A D-PRE preamps and +48V phantom power.
- DSP-powered latency-free monitoring with included effects.
- Works with Windows, macOS, and iOS and includes Steinberg software.
Cons:
- Two analog inputs limit simultaneous recording capacity.
- Its software and DSP features may be more than basic recording requires.
The URX22C is a strong fit when monitoring workflow is a priority. Its DSP effects can support tracking without relying solely on computer processing, while the rugged full-metal housing and cross-platform support suit a range of mobile and desktop setups.
Best Mobile Recording Pick – Mackie Onyx Producer 2-2
Mackie Audio Interface, Onyx Producer 2X2 USB Audio Interface with MIDI (Onyx Producer 2-2)
Check Price On AmazonThe Mackie Onyx Producer 2-2 is a practical audio interface with MIDI input for musicians who want two-channel recording, instrument connectivity, and straightforward mobile setup. It combines two Onyx mic preamps, combo inputs, 192 kHz recording, and bus-powered USB operation in a compact enclosure.
Best For: Mobile recording and home studios needing MIDI I/O with simple, low-latency monitoring.
Pros:
- Two Onyx mic preamps with 48V phantom power.
- Combo inputs accept microphones, line sources, and Hi-Z instruments.
- Includes MIDI I/O, direct monitoring, and bus-powered USB connectivity.
- Supports up to 24-bit/192 kHz recording.
Cons:
- Limited to two inputs and two outputs.
- USB connectivity is USB 2.0 rather than a newer standard.
The Onyx Producer 2-2 is a focused choice for recording vocals, instruments, and MIDI gear without needing a separate power adapter. Its two-channel layout is easy to manage, though larger sessions may require a more expandable interface.
Best Flexible Studio Routing – Behringer UMC204HD
The Behringer UMC204HD is an audio interface with MIDI input designed for flexible computer-based recording. Its two combination inputs, Midas-designed preamps, four outputs, inserts, and 24-bit/192 kHz support make it useful for recording and routing studio hardware.
Best For: Home studios that need MIDI hardware connections, external effects inserts, and multiple playback outputs.
Pros:
- Two XLR/TRS combination inputs accept microphones, instruments, and line sources.
- Built-in MIDI I/O supports keyboards and external MIDI hardware.
- Four outputs plus TRS and RCA playback options provide flexible routing.
- Includes two analog inserts for external compressors, gates, EQs, or other effects.
Cons:
- Only two input channels are available for recording at once.
- Uses USB 2.0 connectivity.
Choose the UMC204HD when routing flexibility matters as much as basic recording. The inserts and expanded outputs distinguish it from simpler two-channel interfaces, while its MIDI I/O supports a broader hardware-based workflow.
Best Guitar-Centered MIDI Option – Valeton GP-200 Multi-Effects Pedal
The Valeton GP-200 is a guitar-focused audio interface with MIDI input built into a multi-effects processor. Along with MIDI connectivity, it provides amp and cabinet simulations, extensive effects, an effects loop, XLR and headphone outputs, and USB-C audio streaming for computer or mobile use.
Best For: Guitarists who want MIDI control, amp modeling, effects processing, and USB recording in one pedalboard-style unit.
Pros:
- Includes 240-plus effects, 140 amp and cabinet simulations, and 100 stompbox effects.
- Provides MIDI IN, an FX loop, EXP2 connectivity, and USB-C audio.
- Supports stereo audio streaming and OTG connections to iOS or Android devices.
- Offers 256 presets, drum rhythms, and a 180-second looper.
Cons:
- Its 24-bit/44.1 kHz processing is lower than the 192 kHz support of the other listed interfaces.
- It is primarily a guitar multi-effects pedal rather than a conventional standalone recording interface.
- The unit is relatively large and weighs about 2.97 kg.
The GP-200 makes the most sense for players who want MIDI input alongside extensive live and studio guitar features. It can handle USB recording and mobile audio duties, but users seeking a traditional multi-input interface may prefer a dedicated recording model.
How We Picked the Best Audio Interface with Midi Input
We focused on the features that affect day-to-day recording and production: genuine MIDI connectivity, preamp quality, input and output count, monitoring options, computer compatibility, driver or software support, and overall value. The selection includes compact interfaces for solo recording, four-input models for small sessions, and larger units suited to multi-microphone setups or expansion through ADAT.
We also considered whether each product is a complete audio interface or a specialized MIDI or effects device. That distinction matters because MIDI connectivity, audio recording, and instrument processing do not provide the same capabilities.
Quick Comparison
- Best for larger studios: Behringer UMC1820, with many analog connections and ADAT expansion.
- Best compact all-rounders: Focusrite Scarlett 4i4 and Yamaha 2-in/2-out USB-C interface.
- Best for two-channel recording: Focusrite Scarlett 2i2, Universal Audio Volt 2, and Mackie Onyx Producer 2X2.
- Best budget four-input choices: Behringer UMC404HD and UMC204HD.
- Best MIDI-only connection: FORE T1, for linking a MIDI keyboard or device over USB-C.
- Best for guitarists needing MIDI control: VALETON multi-effects processor, which combines effects, amp modeling, USB audio, and MIDI I/O.
Key Buying Factors for an Audio Interface with Midi Input
Input and Output Requirements
Count the microphones, instruments, headphones, monitors, and external hardware you plan to connect at the same time. Two inputs work well for vocals, guitar, stereo keyboards, or a simple podcast setup. Four or more inputs provide room for drum mics, multiple performers, or hardware synthesizers.
MIDI Connections and Routing
Check whether the unit has standard five-pin MIDI ports, USB MIDI, or both. Five-pin MIDI is useful for older keyboards, drum machines, and rack gear, while USB MIDI is convenient for modern controllers. If you only need to connect a MIDI keyboard and do not need microphone recording, a dedicated USB MIDI interface may be the more economical option.
Monitoring and Latency
Direct monitoring, a practical headphone amplifier, and separate monitor controls make recording easier. Low-latency drivers and a stable USB connection are especially important when monitoring software instruments or vocal effects.
Resolution, Preamps, and Expansion
Higher sample-rate support is useful for specific production workflows, but clean preamps, reliable gain control, and suitable dynamic range matter more for most home studios. ADAT expansion can extend an interface later if your setup grows.
Who Should Buy Which Audio Interface with Midi Input?
Choose a two-input interface if you record one or two sources at a time and want a small, portable setup. Move to a four-input model if you use stereo keyboards, several hardware devices, or occasional small ensemble sessions. Larger interfaces are better for permanent studios that need multiple microphones and future expansion.
For producers focused on external MIDI instruments, prioritize standard MIDI ports, dependable synchronization, and enough line outputs for your hardware. Guitarists and live performers may prefer an integrated effects processor with MIDI and USB audio. Before buying, confirm operating-system compatibility, included software, USB connector requirements, and whether the product meets your expected audio and MIDI routing needs.